
In a world where superhero fatigue is a meme and DC’s track record is a punchline, “Superman 2025” had every reason to crash and burn. Instead, James Gunn shows up with a kryptonite-proof middle finger and delivers something we didn’t expect; a Superman film that actually believes in something.
Let’s get this out of the way: no, this isn’t “Man of Steel 2.” Thank Rao. This is a soft reboot with an actual soul. It trades grayscale angst for sincerity and weirdness. Think Golden Age heart filtered through a post-Guardians lens, with just enough cynicism to feel modern, but not enough to ruin it.

David Corenswet steps into the red boots with a performance that splits the difference between Christopher Reeve and Henry Cavill. He’s warm. Awkward. A little unsure. But when he floats above Metropolis with that tight-lipped half-smile? It *clicks.* This guy gets it. He’s not trying to be your brooding savior — he’s just trying to do the right thing.
Rachel Brosnahan’s Lois Lane is sharp, snarky, and two steps ahead of everyone, including Clark. Their chemistry burns slowly but strongly. No forced rom-com energy, no “I can’t tell her my secret” nonsense. Just two people who respect the hell out of each other, even when the capes come off.
James Gunn leans into the B-side of the DC catalog like a gremlin rifling through the dollar bin. Mr. Terrific. The Engineer. Guy Gardner with a bowl cut and an attitude problem. Somehow, none of it feels bloated. Every character has a reason to be here — or at least a reason to crash the party.
The tone walks a tightrope. It’s irreverent without undercutting emotion, weird without losing coherence. The jokes land more often than not. When they don’t, the film’s sincerity carries it through. It’s the kind of chaos that feels earned — not unlike what we’ve seen in the resurgence of [mid-tier studios disrupting expectations](https://pressxtoskip.com/the-post-aaa-apocalypse-why-mid-tier-studios-are-winning-2025/).
The main villain isn’t Zod, Luthor, or Brainiac. It’s doubt—Clark’s, the world’s, ours. Without spoiling much, the antagonist here is more thematic than physical. That said, the third act still gives us one hell of a brawl, grounded in character stakes rather than city-leveling spectacle.
And when Superman *chooses* mercy in the face of vengeance? It’s a reminder of what the symbol’s supposed to mean. A choice. A stand. Not some gritty inevitability.
Not everything soars. The middle third loses momentum trying to juggle subplots. A few CGI sequences scream “We ran out of rendering time.” And casual fans might find themselves lost in acronym soup (D.E.O., anyone?). It’s a lot to take in—especially if your DC experience peaked with Harley Quinn on HBO Max.
But those are brushstrokes, not dealbreakers. And in the age of bloated multiverse nonsense, “Superman 2025” is surprisingly restrained.
This isn’t just a new Superman movie. It’s a new thesis statement. One where the most powerful man on Earth uses that power to connect, not conquer. And when he says “I’m here to help,” you actually believe him.
That faith? It’s contagious. Especially in a pop culture landscape where [trust in studios is actively imploding](https://pressxtoskip.com/why-nobody-trusts-game-studios-anymore-and-why-they-shouldnt/). Gunn’s Superman isn’t naive. He just hasn’t given up yet. And maybe—just maybe—neither should we.
This isn’t just a movie. It’s a reset button, and it hits hard.
Superman 2025 is exactly what DC needed: earnest, unafraid, and finally fun again.
And if the shift in tone reminds you of recent mid-tier wins in gaming, you’re not alone. Much like how mid-tier studios are reshaping the industry, this film proves you don’t need endless spectacle to make an impact.
Superman choosing hope over control? That hits different when you consider just how much trust has eroded in pop culture giants. But this film makes a case for rebuilding it, one act of kindness at a time.
More like this, please. And if this is your first Ctrl Issues deep dive, you can catch the rest here.

AJ Hanson has been part of games media since 2011, writing, streaming, and ranting about the industry long before it was his job. He runs the Galaxy’s Edge Discord, the go-to community for fans of Disney’s Star Wars parks, and works as Marketing Director for the Virtual Cantina Network, helping produce shows, interviews, and fan events. A lifelong Star Wars fan and unapologetic nerd, AJ’s focus has always been on building spaces where people can connect, argue, and celebrate the things they love without all the corporate gloss.
David Corenswet gives us the Superman we’ve been waiting for—joyful, grounded, and finally fun again. James Gunn reboots the Man of Steel with heart, humor, and a little chaos. It’s not perfect, but it flies higher than most cape flicks in years.